Stage career Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). Here's the unadulterated truth. It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. Though, we doubt they'd be the only ones perplexed by the idea. Any moles or flaws are usually Photoshopped out to create the image of beauty." "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. Margaret Mary Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. During her suspension she went on a publicity tour for Rank. Hey Friend, Before You Go.. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. She called it "my first really big picture with a beautifully written script and a wonderful part for me. Directed by: Leslie Arliss. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. Your email address will not be published. "[8] Gaumont increased her contract from three years to six.[10]. If you notice your beauty mark starting to lookasymmetrical, theborder or edges are uneven, it has variations incolor, grows indiameter, orevolves over time, you should make an appointment with your dermatologist to get it checked out. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. And even if that new mole is fine today, that doesn't mean it will be tomorrow. She was 73 years old. The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . Even though British Parliament wanted to put an end to the faux mole craze, some members eventually came around. Search instead in. [29] She refused to appear in Roses for Her Pillow (which became Once Upon a Dream) and was put on suspension. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. When she was eight Julia fell in love with Peter Pan on seeing her mother play the role in what had already established itself as an annual postwar institution at the Scala theatre in London. As an only child herself, she had once said: I love children. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. These were standard ingnue roles. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. Showing Editorial results for margaret lockwood. Margaret Lockwood. As you now know, the 18th century was thetime for magnificent moles. Lockwood discusses her upbringing in a Boston area Irish family and her early . In the 1930s, she appeared in a variety of stage plays and made her name. Margaret Lockwood, an actress who became one of the most popular figures in British films of the late 1940's, died on Sunday. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. She began studying for the stage at an early age at the Italia Conti Academy of Theatre Arts, and made her debut in 1928, at the age of 12, at the Holborn Empire where she played a fairy in A Midsummer Night's Dream. [12], She followed this with A Girl Must Live, a musical comedy about chorus girls for Black and Reed. Yet, even she considered having surgery to get rid of it. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. Production Company: Gainsborough Pictures. When the author Hilton Tims was preparing his biography, Once a Wicked Lady, a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, Give her these from me. Shortly afterwards, in her early 30s, she gave up acting to concentrate on bringing up her four children. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. she made her stage debut at 15 as a fairy in " A Midsummer Night's Dream" at the Holborn Empire. This naturally raises the question: Why are there two different names? Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. [47], Her next two films for Wilcox were commercial disappointments: Laughing Anne (1953) and Trouble in the Glen (1954). In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. CURRENT NEEDS: Part time 1-2 days a week 9 AM-3 PM. Switch to the light mode that's kinder on your eyes at day time. clerk, was educated in London and studied to be an actress at the ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. She was the female love interest in Midshipman Easy (1935), directed by Carol Reed, who would become crucial to Lockwood's career. I think they're the cutest thing. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. You canbe born with one, or you can develop one at a later point in your life. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagan's production of "Hannele" by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, "Lorna Doone" when Dorothy Hyson fell ill. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. She also doesn't apply the spot in the same place. The excitement of walking on in Noel Cowards mammoth spectacular, Cavalcade, at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. Speaking candidly with the magazine, Crawford did admit that she's still not sure if she'd have added a beauty mark if "designing [her] face from scratch." In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." The film had one of the top audiences for a film of its period, 18.4 million. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. "Her mole is not part of any formal perfection, but it is also not an ornament," Greenblatt explained. The Leons separated soon after her birth and were divorced in 1950. [5][6][7] This was at 4,000 a year.[8]. For this, British Lion put her under contract for 500 a year for the first year, going up to 750 a year for the second year.[3]. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. She played an aging West End star attempting a comeback in The Human Jungle with Herbert Lom (1965). Listing for: Sport Clips - Stylist - CA519. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. He hopes one day "moles and other individual qualities" will be embraced. These days, Crawford realizes that her well-placed spot helps her remain recognizable and unique. She starred in the Royalty (19571958) television series and was a regular on TV anthology shows. However, after being given an initial leg-up by her mother famous for the trademark beauty spot painted high on her left cheek the young Lockwood forged her own career, navigating the difficult transition from child to adult actor. Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. Used Margie Day briefly as her stage name at the very beginning of her stage career. Margaret Lockwood. "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. While Biography stated that no one truly knows if Monroe's beauty mark was real, drawn on, or accentuated with makeup, one thing is for sure: she helped propel the look into mainstream. When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to her shy, sensitive daughter. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. Lockwood died from cirrhosis of the liver at the age of 73 in London. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. In 1944, in "A Place of One's Own", she added one further attribute to her armoury: a beauty spot painted high on her left cheek. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. In June 1939, Lockwood returned to the United Kingdom. As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. Margaret Lockwood died of cirrhosis of the liver in Kensington, London on 15th July, 1990, aged 73. Privacy Policy. It was one of a series of films made by Gaumont aimed at the US market. And why do people love them or hate them? That year, she was created CBE, but her presence at her investiture at Buckingham Palace, accompanied by her three grandchildren, was her last public appearance. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. Her beauty spot, added during filming of A Place of One's Own (1945) in 1945 Trivia (28) Mother of actress Julia Lockwood. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. Job specializations: Beauty/Hairdressing. She called it My first really big Picture. The films worldwide success put Lockwood at the top of Britains cinema polls for the next five years. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. If so, please share it with your friends and family to help spread the word. After becoming a dance pupil at the Italia Conti school. This film was a success, launching Lockwoods career, and Gaumont extended her contract from three to six years. Margaret Lockwood lived at 34 Upper Park Rd, Kingston upon Thames KT2 5LD between 1960 and 1990. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! Later, aged 16 and playing Wendy, she joined her mother in the 1957 Christmas production. The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. She had a small role in Who's Your Lady Friend? She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. Lockwood had the most significant success of her career to date with the title role in The Wicked Lady (1945). [33] She also appeared in an acclaimed TV production of Pygmalion (1948). Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. Karachi-born Margaret Lockwood, daughter of a British colonial railway Organize, control, distribute and measure all of your digital content. The film was shot at Islington studios and was "in the can" after just five weeks in 1937 and released the following year. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. According to the American Academy of Dermatology, there are severalkinds of birthmarks, but each one fits into just two main groups: pigmented and vascular. Was a committed teetotaller all her life and detested the taste of Omissions? Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. "It is a mark of all that Shakespeare found indelibly beautiful in singularity and all that we identify as indelibly singular and beautiful in his work," the historian further added. Seventy years ago, the British film industrys comparatively modest version of the Hollywood studio system meant that the national cinema had not, like MGM alone, more stars than there are in heaven, but enough to make up a small glittering constellation. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. I used to love her films.. Sign up for BFI news, features, videos and podcasts. "It was the cutest stinking mole, and I was sold," she admitted. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. ]died July 15, 1990, London, Eng. ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. Moles, Mongolian spots, and cafe-au-lait spots are all considered types of pigmented birthmarks. Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). In spite of this, she was warmly remembered by the public. [24] She was featured alongside Phyllis Calvert, James Mason and Stewart Granger for director Leslie Arliss. "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. 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Gaumont British were making a film version of the novel Doctor Syn, starring George Arliss and Anna Lee with director Roy William Neill and producer Edward Black. She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." She was supposed to make cinema adaptations of Rob Roy and The Blue Lagoon, but both projects were shelved due to the outbreak of World War II. Did anyone tell you what a slut you are? Grangers Rokeby says to Hesther in The Man in Grey, before slapping her; the accusation doesnt perturb her since she uses sex to rise in society. Duration is 1 hr., 53 min. was margaret lockwood's beauty spot real; was margaret lockwood's beauty spot real. These films have not worn particularly well, but. Overview Collection Information. Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. England British actress Margaret Lockwood is pictured reading the newspapers as she enjoys breakfast in bed. "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". The actress Margaret Lockwood was one of Britain's biggest 1940s film stars. Millions of high-quality images, video, and music options are waiting for you. Lockwood then had her best chance to-date, being given the lead in Bank Holiday, directed by Carol Reed and produced by Black. In the 17th and 18th centuries, smallpox was running rampant in Europe. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). Margaret Lockwood as Lydia Garth Paul Dupuis as Paul de Vandiere Kathleen Byron as Verite Faimont Maxwell Reed as Joseph Rondolet Thora Hird as Rosa Raymond Lovell as Comte de Vandiere Maurice Denham as Doctor Simon Blake David Hutcheson as Max Ffoliott Cathleen Nesbitt as Mother Superior Peter Illing as Doctor Matthieu Jack McNaughton as Attendant Gasp! Mason and Mullen are artificially aged to play the old couple. 2023 British Film Institute. Lockwood attended drama school from the age of five and following her parents divorce was just 12 when cast as the star of Heidi for a 1953 childrens TV serial. The Leons separated soon after her birth and were divorced in 1950. She was born on September 15, 1916. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. British Parliament wasn't a fan of this tomfoolery, though. In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. She Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. Early Years Ceramic. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. Our editors will review what youve submitted and determine whether to revise the article. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. 1946 10th most popular star in Australia, 1947 4th most popular star and 3rd most popular British star in Britain. Contents 1 Plot 2 Cast 3 Production 4 Reception Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. It was an uphill battle even for those who survived. They did. Enjoying our content? Collect, curate and comment on your files. According toBBC,stars, hearts, and half moons were all popular choices back in the day. Lockwood entered films in 1934, and in 1935 she appeared in the film version of Lorna Doone. Registered charity 287780, Watch Margaret Lockwood films on BFI Player, In praise of 1940s icon and Lady Vanishes star Margaret Lockwood. Her RADA-trained voice was posh, of course, but not supercilious.Her gentle beauty was heightened by different degrees of melancholy in Bank Holiday (1938) and The Lady Vanishes (1938), undimmed by her playing an indolent, pouting trollop in The Stars Look Down (1939), and coarsened . This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, vestibulitis, caused her to turn her back gradually on a glittering career. In 1954 she also took the title role in a BBC production of Alice in Wonderland, which she had performed at Q theatre in Kew, south-west London, on her stage debut the previous Christmas. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. Articles from Britannica Encyclopedias for elementary and high school students. In spite of this, she was warmly remembered by the public. Ive been pretty lonely at times.. The Lady Vanishes: The Criterion Collection [Blu-Ray]. [36], Lockwood was in the melodrama Madness of the Heart (1949), but the film was not a particular success. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. The Truth About Beauty Marks. [40][41] It was not popular. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. Lockwood also appeared in several other television shows. Images of the British actress, Margaret Lockwood. They write new content and verify and edit content received from contributors. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. It became her trade mark and the impudent ornament of her most outrageous film, The Wicked Lady, again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery.